The Power of Words

President John F. Kennedy
“Remarks at Amherst College”,
Delivered: Amherst, Massachusetts; October 26, 1963
Consider
As you listen and collectively read along to the following speech by President John F. Kennedy, delivered in 1963 at Amherst College, consider how what he is saying about poetry/art may relate to public speaking. Pay attention to how he delivers different portions of this speech.
Speech Context
- This speech highlights one of John F. Kennedy’s favorite poets, Robert Frost. Kennedy then used the speech to make a greater point about the position of poets and artists in a democratic society.
- Kennedy invited Robert Frost to read one of his poems at his 1961 inauguration. Only three other presidents have had poets be a part of the inauguration: Bill Clinton (Maya Angelou and Miller Williams); Barack Obama (Elizabeth Alexander and Richard Blanco); Joe Biden (Amanda Gorman).
- Another earlier segment of this speech outlines the occasion (Kennedy was receiving an honorary degree) and calls on the students of Amherst College to use their privilege and education for the betterment of the United States.
- You might be familiar with the famous quote from JFK’s inaugural speech, “Ask not what your country can do for you — ask what you can do for your country.”
- Amherst College is a private and highly selective small liberal arts college. The school did not begin admitting women until 1975.
- The library at Amherst College was named for Robert Frost in 1962. He was a longtime English faculty member.
- John F. Kennedy and Jacqueline Kennedy pushed the value of the arts through several initiatives.
- In 1964, the proposed National Cultural Center in Washington, D.C., was renamed The Kennedy Center Memorial for the Performing Arts to honor Kennedy following his assassination. It opened its doors in 1971. Since 1978, The Kennedy Center has presented the Kennedy Center Honors for lifetime achievements in the arts. 2023’s honorees are actor and comedian Billy Crystal; acclaimed soprano Renée Fleming; British singer-songwriter producer, and member of the Bee Gees, Barry Gibb; rapper, singer, and actress Queen Latifah; and singer Dionne Warwick.
Listen and Collectively Read-Along
Instructions: Click to play the speech. Follow along with the text below and use Hypothes.is to annotate moments in the text of the speech that you find the delivery to be especially powerful or that you think could have been delivered a different way. (Note: there may be slight inaccuracies between the audio and the text.)
Speech Transcript
Robert Frost said:
Two roads diverged in a wood, and I–
I took the one less traveled by,
And that has made all the difference.
I hope that road will not be the less traveled by, and I hope your commitment to the Great Republic’s interest in the years to come will be worthy of your long inheritance since your beginning.
This day devoted to the memory of Robert Frost offers an opportunity for reflection which is prized by politicians as well as by others, and even by poets, for Robert Frost was one of the granite figures of our time in America. He was supremely two things: an artist and an American. A nation reveals itself not only by the men it produces but also by the men it honors, the men it remembers.
In America, our heroes have customarily run to men of large accomplishments. But today this college and country honors a man whose contribution was not to our size but to our spirit, not to our political beliefs but to our insight, not to our self-esteem, but to our self- comprehension. In honoring Robert Frost, we therefore can pay honor to the deepest sources of our national strength. That strength takes many forms, and the most obvious forms are not always the most significant. The men who create power make an indispensable contribution to the Nation’s greatness, but the men who question power make a contribution just as indispensable, especially when that questioning is disinterested, for they determine whether we use power or power uses us.
Our national strength matters, but the spirit which informs and controls our strength matters just as much. This was the special significance of Robert Frost. He brought an unsparing instinct for reality to bear on the platitudes and pieties of society. His sense of the human tragedy fortified him against self-deception and easy consolation. “I have been” he wrote, “one acquainted with the night.” And because he knew the midnight as well as the high noon, because he understood the ordeal as well as the triumph of the human spirit, he gave his age strength with which to overcome despair. At bottom, he held a deep faith in the spirit of man, and it is hardly an accident that Robert Frost coupled poetry and power, for he saw poetry as the means of saving power from itself. When power leads men towards arrogance, poetry reminds him of his limitations. When power narrows the areas of man’s concern, poetry reminds him of the richness and diversity of his existence. When power corrupts, poetry cleanses. For art establishes the basic human truth which must serve as the touchstone of our judgment.
The artist, however faithful to his personal vision of reality, becomes the last champion of the individual mind and sensibility against an intrusive society and an officious state. The great artist is thus a solitary figure. He has, as Frost said, a lover’s quarrel with the world. In pursuing his perceptions of reality, he must often sail against the currents of his time. This is not a popular role. If Robert Frost was much honored in his lifetime, it was because a good many preferred to ignore his darker truths. Yet in retrospect, we see how the artist’s fidelity has strengthened the fibre of our national life.
If sometimes our great artist have been the most critical of our society, it is because their sensitivity and their concern for justice, which must motivate any true artist, makes him aware that our Nation falls short of its highest potential. I see little of more importance to the future of our country and our civilization than full recognition of the place of the artist.
If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him. We must never forget that art is not a form of propaganda; it is a form of truth. And as Mr. MacLeish once remarked of poets, there is nothing worse for our trade than to be in style. In free society art is not a weapon and it does not belong to the spheres of polemic and ideology. Artists are not engineers of the soul. It may be different elsewhere. But democratic society–in it, the highest duty of the writer, the composer, the artist is to remain true to himself and to let the chips fall where they may. In serving his vision of the truth, the artist best serves his nation. And the nation which disdains the mission of art invites the fate of Robert Frost’s hired man, the fate of having “nothing to look backward to with pride, and nothing to look forward to with hope.”
I look forward to a great future for America, a future in which our country will match its military strength with our moral restraint, its wealth with our wisdom, its power with our purpose. I look forward to an America which will not be afraid of grace and beauty, which will protect the beauty of our natural environment, which will preserve the great old American houses and squares and parks of our national past, and which will build handsome and balanced cities for our future.
I look forward to an America which will reward achievement in the arts as we reward achievement in business or statecraft. I look forward to an America which will steadily raise the standards of artistic accomplishment and which will steadily enlarge cultural opportunities for all of our citizens. And I look forward to an America which commands respect throughout the world not only for its strength but for its civilization as well. And I look forward to a world which will be safe not only for democracy and diversity but also for personal distinction.
Robert Frost was often skeptical about projects for human improvement, yet I do not think he would disdain this hope. As he wrote during the uncertain days of the Second War:
Take human nature altogether since time began . . .
And it must be a little more in favor of man,
Say a fraction of one percent at the very least . . .
Our hold on this planet wouldn’t have so increased.
Because of Mr. Frost’s life and work, because of the life and work of this college, our hold on this planet has increased.
Once you’ve annotated in Hypothes.is you are ready to go on



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